
Acting
Born April 26, 1909 · Rostock, Germany
Born in Rostock, Hoppe became a leading lady of stage and films in Germany. She was born into a wealthy landowning family and was initially privately educated on her father's private estate. Later she attended school in Berlin and in Weimar, where she began to attend theatre.[1] Hoppe first performed at 17 as a member of Berlin's Deutsches Theater under director Max Reinhardt. In 1935 she was hired by the controversial German actor and Director of the Prussian State Theatre under the Third Reich, Gustav Gründgens. They were married from 1936-46, until their divorce. Speaking years after the marriage had ended Hoppe stated, "He was my love, but never my great love, that was work."[1] One of the characters in the film Mephisto was reportedly based on her. Hoppe made no secret of her contacts with the Nazi elite in the 1930s/40s, including being invited to dinner by Hitler.[2] Her role in Der Schimmelreiter (The Rider of the White Horse, 1934) made her famous almost overnight, while her "Aryan" face made her a darling of the Nazi elite.[1] Later Hoppe would label this period of her life as "the black page in my golden book".[1] During her time acting at the home of the Prussian State Theatre, the Schauspielhaus, Hoppe developed her analytical approach to acting, which she stated consisted in her "taking apart every sentence" and giving the use of language a brilliance. This method was to be associated with Hoppe throughout her working life.[1] In 1946 her only child, Benedikt Johann Percy Gründgens, was born. Four years later after her divorce from Gründgens, Hoppe had a great success as Blanche Dubois in Tennessee Williams's A Streetcar Named Desire, and increasingly played avant-garde roles, written by authors such as Heiner Muller (Quartett, 1994) and Thomas Bernhard, who became her partner in private life as well. She became a favourite of the young and iconoclastic directors Claus Peymann, Robert Wilson and Frank Castorf. Hoppe died in Siegsdorf, Bavaria, in 2002 from natural causes, aged 93. "German theater has lost its queen", said Claus Peymann of the Berliner Ensemble, whose theatre featured Hoppe's last performance, in Bertolt Brecht's Resistible Rise of Arturo Ui, in December 1997.[2] In one of her last interviews Hoppe stated, "I have a go at happiness every day. That takes discipline, a virtue every halfway decent actor should have."

Hitler's Hollywood
2017

The Queen – Marianne Hoppe
2000
Der Tod kam als Freund
1991

Heldenplatz
1989

Schloß Königswald
1988
Bei Thea
1988

Francesca
1987
Er-Götz-liches
1984
Marianne and Sophie
1983
Die Baronin - Fontane machte sie unsterblich
1981
Der Richter
1981
Tod eines Vaters
1978

Wrong Move
1975
Heiratskandidaten
1975
Im Hause des Kommerzienrates
1975
Tag für Tag
1969
König Richard II
1968
Andere Zeiten - andere Sitten
1967
Die Mission
1967
Briefe nach Luzern
1966
A Winter's Tale
1965
Das Leben des Horace A.W. Tabor - Ein Stück aus den Tagen der letzten Könige
1965

Ten Little Indians
1965

Conquerors of Arkansas
1964
Harlekinade
1964
Die Teilnahme
1964
König Ödipus
1963

Treasure of Silver Lake
1962
Rose Bernd
1962
Der Walzer der Toreros
1962

The Strange Countess
1961

13 Little Donkeys and the Sun Court
1958

Der Mann meines Lebens
1954

Nur eine Nacht
1950

Schicksal aus zweiter Hand
1949