
Directing
Born November 4, 1939 · Lecce - Italy
A leading figure in independent and experimental cinema and audiovisual production from the late 1960s onwards, Miscuglio was the founder in 1967, with Americo Sbardella and Paolo Castaldini, of Filmstudio 70, the first Italian underground film club. During the 1970s she began her activity as a filmmaker and activist, taking part in the first Italian feminist collectives and films, and in 1976 she organized Kinomata, the first international women's film conference-festival in Rome, with Roni Daopoulo. At the same time, she allowed herself the creative and productive freedom of super8, creating small experimental works. At the end of the 1970s she chose to dedicate herself completely to directing, working mainly for television; one of the very few production fields in which women, albeit to a limited extent, had some room for manoeuvre. Miscuglio's activity is intense and multifaceted, but unknown to most, given the invisibility to which female creativity is often condemned even today - especially if carried out in independent contexts.
La cospirazione
1992

Il Divino, lo strillone e altri
1992
Il Lazio e la memoria
1990

Effetto Puglia
1988
Frammenti di fabbrica
1986
Percorsi metropolitani
1983
Graffi sulla citta
1982
A.A.A. Offresi
1981
Morso d'amore
1981

I fantasmi del fallo
1980

Processo per stupro
1979

Frammenti di una vita d'eroina
1977
Il rischio di vivere
1977
Ritratti
1976
Canti illuminati
1976

Anna’s Textures
1976

Grazia a Grazia
1976

Maitreya
1976

Rony
1976

Paola
1976

Puzzle Therapy
1976

Fughe lineari in progressione psichica
1975

La lotta non è finita
1973

The Adjective Woman
1971