Writing
Born February 16, 1889 · Straelen, Germany
Hans Cürlis filmed Kandinsky, Grosz, Pechstein, Dix, Kollwitz, Liebermann, and Calder at work, many years before Paul Hasaert’s Visite à Picasso. Cürlis had studed with Wölflin and had written his thesis on Dürer. In 1919 he established the Institut für Kulturforschung, "the first German scientific institution which consciously selected the cinema as a form of expression through the results of its own work" (Cürlis, 1929). That he is not considering simply a form of documentation is demonstrated by the fact that among his first collaborators can be listed animation and silhouette artists such as Bartosch, Carl Koch, Lotte Reiniger, and Toni Rabold. After a film on African sculpture and a number of geographical documentaries, in 1922 he began the series Schaffende Hände: short films not "on art" so much as the physical process of the creation of a work of art turned into cinema.
Drei Meister schneiden in Holz
1952
Der Film entdeckte Kunstwerke indianischer Vorzeit
1951
Schwarz - Weiß - Gelb
1949
Vitamine an der Straße
1946
Fleckfieber droht!
1946
Bach - Mozart - Beethoven
1942
The Lower Danube
1929
Alexander Calder
1929
Alceo Dossena
1929
People and Books
1929
Die Weltgeschichte als Kolonialgeschichte
1926

Schaffende Hände: Wassily Kandinsky in der Galerie Neumann-Nierendorf
1926
Schaffende Hände: Max Oppenheimer
1924
Schaffende Hände: George Grosz
1923
Schaffende Hände: Lovis Corinth
1922