
Directing
Born July 29, 1943 · Brooklyn, New York, USA
Martha Rosler (born 1943) is an American artist. She is a conceptual artist who works in photography and photo text, video, installation, sculpture, site-specific and performance, as well as writing about art and culture. Rosler's work is centered on everyday life and the public sphere, often with an eye to women's experience. Recurrent concerns are the media and war, as well as architecture and the built environment, from housing and homelessness to places of passage and systems of transport. Since the early 1970s, Martha Rosler has used photography, performance, writing, and video to deconstruct cultural reality. Describing her work, Rosler says, “The subject is the commonplace — I am trying to use video to question the mythical explanations of everyday life. We accept the clash of public and private as natural, yet their separation is historical. The antagonism of the two spheres, which have in fact developed in tandem, is an ideological fiction — a potent one. I want to explore the relationships between individual consciousness, family life, and culture under capitalism.” Avoiding a pedantic stance, Rosler characteristically lays out visual and verbal material in a manner that allows the contradictions to gradually emerge, so that the audience can discern these disjunctions for themselves. By making her ideas accessible, Rosler invites her audience to re-examine the dynamics and demands of ideology, urging critical consciousness of the individual compromises exacted by society, and opening the door to a radical re-thinking of how cultural “reality” is constructed for the economic and political benefit of a select group.

Museums will eat your lunch
2013

Because This Is Britain
2012

Semiotics of the Kitchen: An Audition
2011

Prototype (God Bless America)
2006

Chile on the Road to NAFTA, Accompanied by the National Police Band
1997

Seattle: Hidden Histories
1995

How Do We Know What Home Looks Like? The Unité d’Habitation of Le Corbusier at Firminy, France
1993

Born to be Sold: Martha Rosler Reads the Strange Case of Baby $/M
1988
If it's too bad to be true, it could be DISINFORMATION
1985
A Simple Case for Torture, or How to Sleep at Night
1983

Martha Rosler Reads "Vogue"
1982
Secrets From the Street: No Disclosure
1980
Domination and the Everyday
1978
Losing: A Conversation with the Parents
1977

The East Is Red, The West Is Bending
1977

Vital Statistics of a Citizen, Simply Obtained
1977

Semiotics of the Kitchen
1975

Backyard Economy 2 (Diane Germain Mowing)
1974

Flower Fields
1974

Backyard Economy 1
1974

A Budding Gourmet
1974
Pencicle of Praise