Directed by Isiah Medina, Philip Hoffman
The clean 16mm image is processed normally in a lab. Outdated film stock from the 1980s-90s which Peter Mettler recently gave Philip Hoffman accounts for superimpositions. The tinting and toning was done via 'green' processing with flowers. The shooting and hand developing with flowers was done by Hoffman. It was scanned and then digitally edited by Isiah Medina.
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